EMST

EMST AT documenta 14

10/06 - 17/09/2017

KASSEL

EMST at documenta 14

ANTIDORON- The EMST Collection

Fridericianum, Kassel

10 June- 17 September 2017

Curated by Katerina Koskina
Assistant Curators: Tina Pandi, Stamatis Schizakis

As documenta 14 continues its journey in Athens, having the National Museum of Contemporary Art (EMST) as one of its main exhibition venues, an important part of the EMST collection travels to Germany, to be part of documenta 14 program in Kassel (10/6-17/9/17). The exhibition ANTIDORON. The EMST Collection occupies the whole emblematic building of Fridericianum. It comprises 82 artists and 180 works and it is curated by the Director of EMST, Mrs. Katerina Koskina, supported by Stamatis Schizakis and Tina Pandi, Assistant Curators and Iro Nikolakea in the Architectural design. It is presented in the framework of the Museum’s series EMST in the World.

The exhibition at the Fridericianum marks the first time that the most part of the EMST collection is presented outside Greece, through a double relocation that renders EMST’s home, one of the main venues of documenta 14 in Athens, and the Fridericianum, traditionally the centerpiece of a documenta, the temporary home of EMST’s collection.

EMST began creating its collection in 2000. Its acquisitions now include more than 1,100 works by Greek and international artists from the 1960s onward. The exhibition ANTIDORON. The EMST Collection is an adapted version of the extensive museological study that will be displayed in full at the EMST spaces. Presented in the Fridericianum, the birthplace of documenta and the first public museum in Europe, the exhibition deals with issues of border crossings, diasporas, cultural exchange, existential quests, and mythologies, as well as personal and collective memories. Additionally, the Fridericianum’s brief tenure as Germany’s first parliamentary building makes it the most appropriate venue in which to show the works of several artists, active during the troubled postwar era and the ensuing decades of political upheaval and revolutionary re-imagination of society.

While the presentation of the collection maintains its international scope, it also emphasizes the presence of pioneering Greek artists, highlighting and revisiting their national and international journeys.

The title embodies the mutual respect of both institutions, documenta 14 and EMST independently of their diverse commitments and missions, to discourse and to reinterpret essential issues and visual language. It deals with concepts such as trading, exchanging, sharing, giving and offering Antidoron (αντίδωρον, literally the return of a gift) or Antidanion (αντιδάνειo, the return of a loan either linguistic, cultural, or financial). The prefix “anti” reveals a distinct position and consequently a view, not necessarily opposed to, but departing from a different point in order to communicate, to argue, to bridge, to converge, and to accept each other’s’ stances.

Until September 17, Fridericianum in Kassel becomes EMST’s contemporary home in Germany, and ANTIDORON, a gift in return – when translated – symbolizing the shared benefits of this collaboration.

List of artists

Dimitris Alithinos, Nikos Alexiou, Andreas Angelidakis, Stephen Antonakos, Janine Antoni, Alexis Akrithakis, Evgenia Apostolou, Athanasios Argianas, Manolis Baboussis, Bertille Bak, Lynda Benglis, Andrea Bowers, Chronis Botsoglou, Yiannis Bouteas, David Broomberg & Oliver Chanarin, Constantin (Dikos) Byzantios, Pedro Cabrita Reis, Vlassis Caniaris, Chryssa, Chandris Pantelis, Danil, Bia Davou, George Drivas, Eirene Efstathiou, Haris Epaminonda, Koken Ergun, Jan Fabre, Stelios Faitakis, Carlos Garaicoa, Kendell Geers, George Hadjimichalis, Joana Hadjithomas & Khalil Joreige, Mona Hatoum, Gary Hill, Emily Jacir, Gulsun Karamustafa, Nikos Kessanlis, Kimsooja, Panos Kokkinias, Dimosthenis Kokkinidis, Joseth Kosuth, Jannis Kounellis, Piotr Kowalski, Yorgos Lazongas, George Lappa, Ange Leccia, Stathis Logothetis, Maria Loizidou, Andreas Lolis, Danny Mathys, Yiannis Michas, Nikos Navridis, Nina Papaconstantinou, Maria Papadimitriou, Aimilia Papafilippou, Ilias Papailiakis, Rena Papaspyrou, Nausika Pastra, Pavlos, Jannis Psychopedis, Alexandros Psychoulis, Walid Raad, Oliver Ressler, Lucas Samaras, Yorgos Sapountzis, Allan Sekul, Vassilis Skylakos, Christiana Soulou, Aspa Stasinopoulou, Takis, Thodoros, sculptor, Thanasis Totsikas, Nikos Tranos, Stefanos Tsivopoulos, Costas Tsoclis, Dimitris Tzamouranis, Costas Varotsos, Kostis Velonis, Bill Viola, Vangelis Vlahos, Pantelis Xagoraris, Georgios Xenos

1.Bia Davou, Sails, 1981| 2. Jannis Kounellis, Untitled| 3. Bill Viola, The raft, 2004 | 4. Mona Hatoum, Fix it, 2004  | 5. Kendell Geers, Αkropolis Redux (The Director’s Cut), 2004 | 6. Maria Loizidou, Collective Autobiography, 2013 | 7. Yorgos Lazongas, Blind Painting Alekton 1, 2, 1988 | 8. Jan Fabre, Das Glas im Kopf wird vom Glas (The Dance Sections), 1987 | 9. Installation view | 10. Jan Fabre, Listening inside my own head, 1992 -Listen, 1992 | 11. Stefanos Tsivopoulos, The Precarious Archive, 2016 | 12. Stefanos Tsivopoulos, The Precarious Archive, 2016 |13. Installation view | 14. Installation view (Bia Davou, Maria Loizidou) | 15. Installation view (Bia Davou, Maria Loizidou) | 16. Installation view (Bia Davou, Yorgos Lazongas) | 17. Installation view (Bia Davou, Alexandros Psychoulis) | 18. George Hadjimichalis, Crossroad, 1990-1995/97 | 19. Dimitris Tzamouranis, 37° 42’N 027° 02’E, 2015 | 20-24 Installation view | 25. Installation view (Stelios Faitakis) | 26. Installation view (Emily Jacir) | 27. Installation view (Kimsooja, Andrea Bowers) | 28. Installation view | 29. Installation view (Vangelis Vlahos) | 30. Installation view (Vlassis Caniaris) | 31. Installation view (Lucas Samaras) | 32- 33 Installation view | 34. Gulsun Karamustafa, The Apartment Building, 2012 | 35. Nikos Tranos, A Glacier At Our Table, 2013 | 36. Installation view (Maria Loizidou) | 37. George Hadjimichalis, Crossroad, 1990-1995/97 | 38. Bia Davou, Sails, 1981 – 1982 | 39. Janine Antoni, Slumber, 1994 | 40. George Lappas, Abacus, 1983

Photographs: 1, 3-7: Nils Klinger

Photograph 2: Jasper Kettner

Photograph: documenta 14 Mathias Voelzke

Photograph of the article: 23.06.2017 Morning view at Fridericianum, exhibition ANTIDORON. The EMST Collection

 

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