



{"id":83352,"date":"2022-12-06T10:16:32","date_gmt":"2022-12-06T10:16:32","guid":{"rendered":"https:\/\/www.emst.gr\/?p=83352"},"modified":"2023-03-29T10:58:10","modified_gmt":"2023-03-29T10:58:10","slug":"206-peter-puklus","status":"publish","type":"post","link":"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/206-peter-puklus","title":{"rendered":"Peter Puklus"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-85132 \" src=\"https:\/\/www.emst.gr\/web3\/wp-content\/uploads\/2022\/12\/Peter-Puklus1.jpg\" alt=\"\" width=\"799\" height=\"1199\" \/><\/p>\n<p>Peter Puklus<br \/>\n<em>The Hero Mother \u2013 How to build a house<\/em>, 2016<br \/>\nInstallation, photographs, mixed media, dimensions variable<br \/>\nCourtesy of the artist and Glassyard Gallery, Budapest<\/p>\n<p>Presented as an installation in the form of sculptural, photographic and performance-based works, Peter Puklus\u2019 <em>The<\/em> <em>Hero Mother<\/em><em>: How to Build a House <\/em>is rich in metaphor, symbolism, allegory and humour. The photographs are shot entirely in the artist\u2019s daily, family environment, his house and his studio. The <em>Hero Mother<\/em> deconstructs and questions the dynamics and stereotypes regarding social gender and role cliche\u0301s within the traditional, heterosexual family structure: the masculine <em>pater familias<\/em> and master-builder or provider and the heroic mother as muse and primary carer\/nurturer. Puklus pinpoints the challenges related to family today, in a demanding and rapidly changing environment and suggests the reversal of stereotypes and the introduction of alternative models of parenthood and family relations. The broadened photograph field becomes a critical, subversive comment on contemporary relationships, family, and gender and sexual politics.<\/p>\n<p>Though photography lies at the centre of Peter Puklus\u2019 work, his practice mines territories beyond the photographic frame by deploying sculptures, objects, paintings, installations, drawings and, mixing the different genres and medias and making them relate to each other. Whether in the gallery space or in a photo-book form, storytelling plays a substantial role in his expanded photography.<\/p>\n<p>Biography<\/p>\n<p>Peter Puklus lives and works in Budapest, Hungary. He studied photography at the Moholy-Nagy University of Art and Design, Budapest (HU) and new media design at the \u00c9cole National Sup\u00e9rieur de Cr\u00e9ation Industriel in Paris (FR). His recent solo exhibitions include \u201cThe Epic Love Story of a Warrior (Kunsthaus Essen, Essen,DE, 2019), Life is Techno (ParisBerlin Fotohaus, Rencontres d\u2019Arles, Arles, FR, 2019) and One and a half meter (Folia Gallery, Paris, FR, 2018). Puklus\u2019 project \u201cThe Hero Mother \u2013 How to build a house received the Grand Prix Images Vevey 2017\/2018. Puklus is a returning lecturer and workshop leader in photography at MOME, Budapest and CEPV, Vevey, Switzerland.<\/p>\n<p><a href=\"http:\/\/peterpuklus.com\/\" target=\"_blank\" rel=\"noopener\">www.peterpuklus.com<\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>&nbsp;<\/p>\n<h3><a href=\"https:\/\/www.emst.gr\/en\/category\/modern-love-love-in-the-age-of-cold-intimacies\">ALL ARTISTS<\/a><\/h3>\n<ul class=\"emst_list_category_items\"><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/215-iannah-toticki_various\" rel=\"bookmark\">\u0397annah Toticki. 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Our Cold Loves<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/220-yorgos-prinos\" rel=\"bookmark\">Yorgos Prinos<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/216-sanam-khatibi\" rel=\"bookmark\">Sanam Khatibi<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/206-peter-puklus\" rel=\"bookmark\">Peter Puklus<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/208-melanie-bonajo\" rel=\"bookmark\">Melanie Bonajo<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/209-marjike-de-roover\" rel=\"bookmark\">Marjike de Roover<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/202-maria-mavropoulou-wallpaper\" rel=\"bookmark\">Maria Mavropoulou. 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Artificial Humors<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/201-eva-papamargariti\" rel=\"bookmark\">Eva Papamargariti<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/210-duran-lantink\" rel=\"bookmark\">Duran Lantink<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/217-david-haines-dereviled\" rel=\"bookmark\">David Haines. Dereviled<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/231-david-haines\" rel=\"bookmark\">David Haines<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/221-candice-breitz\" rel=\"bookmark\">Candice Breitz<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/218-ariane-loze-if-you-didn-t-choose-a-you-will-probably-choose-b\" rel=\"bookmark\">Ariane Loze. If you didn\u2019t choose A, you will probably choose B<\/a><\/li><li><a href=\"https:\/\/www.emst.gr\/en\/modern-love-love-in-the-age-of-cold-intimacies\/207-andreas-angelidakis\" rel=\"bookmark\">Andreas Angelidakis<\/a><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Peter Puklus The Hero Mother \u2013 How to build a house, 2016 Installation, photographs, mixed media, dimensions variable Courtesy of the artist and Glassyard Gallery, Budapest Presented as an installation in the form of sculptural, photographic and performance-based works, Peter Puklus\u2019 The Hero Mother: How to Build a House is rich in metaphor, symbolism, allegory [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[173],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/posts\/83352"}],"collection":[{"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/comments?post=83352"}],"version-history":[{"count":5,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/posts\/83352\/revisions"}],"predecessor-version":[{"id":85143,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/posts\/83352\/revisions\/85143"}],"wp:attachment":[{"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/media?parent=83352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/categories?post=83352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/tags?post=83352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}