



{"id":62747,"date":"2020-05-14T16:50:36","date_gmt":"2020-05-14T16:50:36","guid":{"rendered":"https:\/\/www.emst.gr\/?p=62747"},"modified":"2021-10-01T12:07:50","modified_gmt":"2021-10-01T12:07:50","slug":"no-man-is-an-island-entire-of-itself","status":"publish","type":"post","link":"https:\/\/www.emst.gr\/en\/events-en\/no-man-is-an-island-entire-of-itself","title":{"rendered":"No man is an island entire of itself"},"content":{"rendered":"<p>Argyro Chioti<br \/>\nVASISTAS theatre group<\/p>\n<p>\u201cNo man is an island entire of itself\u201d<br \/>\n<i>Five rooms | A wander<\/i><\/p>\n<p>May 22, 23, 24 online live streaming performance in the website of EMST, in the framework of the International Museum Day 2020<br \/>\nEnd of June at the National Museum of Contemporary Art Athens (EMST), as a live-art piece.<\/p>\n<p>Online live streaming performance<br \/>\n22-23-24 May, through the website of EMST<a href=\"https:\/\/www.emst.gr\/\"><br \/>\n<\/a>Time: 21.00 (duration 60 minutes)<br \/>\nTicket price: 6\u20ac<\/p>\n<p>\u201cNo man is an island entire of itself\u201d, a new work by Argyro Chioti and VASISTAS theatre group, is a performance-invitation to a mental wandering and an imaginary stimulation, that will be presented at the National Museum of Contemporary Art Athens (EMST) in two formats. The first version will be presented online and live streaming at the museum\u2019s website on 22, 23, 24 May, in the framework of the International Museum Day 2020. An unusual and uncharted theatrical experience that draws on material from the digital world, which imposes its own distinct logic and an uncanny scenic experience. The second version, at the end of June, as a live-art performance in the museum\u2019s building with the actors present, if the circumstances allow so, one of the first events after its highly anticipated reopening.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p><span class=\"Apple-converted-space\">\u00a0<\/span>Five rooms. A wander. During the online performance, five actors are in their own space and communicate with each other through a digital platform. The spectators in front of their screens are guided by a woman\u2019s voice and follow instructions and exhortations through their headphones, entering deeper and deeper in their mental wandering, in a series of absurd, dream-like rooms. Through the poetic encounters with these five people, in their course from one room to another, they are invited to join in a personal, transcendental and meditative experience.<\/p>\n<p>With light creating the setting and architecture, with intense audiovisual stimulation, with highly poetic text, a composition of literature excerpts and material devised during the rehearsals, the spectators observe the reality getting distorted and their perception gradually broadening. Each one will experience a lone journey towards a personal utopia.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>* The title of the performance comes from the poem <i>Meditation XVII (1624), by <\/i>John Donne. <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Director\u2019s note<\/p>\n<p>\u201cLast March, we started working on a new performance about isolation and life in an innermost world. An experiential installation-performance, each time for limited spectators, in a non-theatrical space. At the beginning of our rehearsals, the rapid events led us to an actual isolation. We decided to keep working, confined in our houses, with a daily encounter in front of our computer screens.<\/p>\n<p>We composed, in this way, a wandering performance, which functions as a personal meditative journey. A song that leads the spectators to a mental elusion and reconnection, beyond the borders of physical confinement.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>We do not believe that a digital performance can be compared or replace a live spectacle and its direct communication between actors and the audience. It suggests, though, a new scenic experience that can only add to the performance in the actual space that will follow. We invite the spectators to attend both the digital and the live performance, and take note of the distinct nature of these two experiences\u201d.<\/p>\n<p>Directed by: Argyro Chioti<br \/>\nDramaturgy: Efthimis Theou, Argyro Chioti<span class=\"Apple-converted-space\"><br \/>\n<\/span>Music\/Sound design: Jan Van de Engel<br \/>\nVisual associate: Babis Makridis<br \/>\nLighting design: Tasos Palaioroutas<span class=\"Apple-converted-space\"><br \/>\n<\/span>Assistant director: Katerina Kotsou<br \/>\nProduction: Stefanos Skoulikaris<br \/>\nTechnical support: Manos Melissotis \u2013 AVolution AUDIOVISUAL<br \/>\nPerformers: Georgina Chryskioti, Eirini Koubarouli, Ektoras Liatsos, Rita Litou, Kostas Sevdalis<span class=\"Apple-converted-space\">\u00a0\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>No man is an island entire of itself<span class=\"Apple-converted-space\"><br \/>\n<\/span>Online live streaming performance<br \/>\n22-23-24 May, through the website of EMST<br \/>\nTime: 21.00 (duration 60 minutes)<br \/>\nTicket price: 6\u20ac<br \/>\nTicket purchase: <a href=\"https:\/\/www.viva.gr\/tickets\/theater\/online\/no-man-is-an-island-entire-of-itself\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.viva.gr\/tickets\/theater\/online\/no-man-is-an-island-entire-of-itself\/<\/a><\/p>\n<p>Note: The spectators can buy their tickets through the Viva website. Then, on the day of the performance, they will receive an email with a link they can use to watch the play.<\/p>\n<p>In case of technical problems or questions, please send an email to: <a href=\"mailto:Vasistas.tech.supp@gmail.com\" target=\"_blank\" rel=\"noopener noreferrer\">Vasistas.tech.supp@gmail.com<\/a><\/p>\n<p>We advise the spectators to watch the performance in an environment that supports the meditative submersion the play attempts: in a dark silent room, on a large screen (and not a cell phone), and using headphones that will enhance its elaborate soundscape.<\/p>\n<p>The piece will be performed in Greek. In its future presentations, English subtitles will also be available.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>More information about the performance No man is an island entire of itself at the National Museum of Contemporary Art Athens in June will soon be announced, in accordance with all safety precautions and new relevant regulations.<\/p>\n<p>Photograph: Babis Makridis<\/p>\n<p><a href=\"http:\/\/www.vas.eu.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">www.vas.eu.com<\/a> | <a href=\"mailto:info@vas.eu.com\" target=\"_blank\" rel=\"noopener noreferrer\">info@vas.eu.com<\/a><\/p>\n<p><a href=\"https:\/\/www.facebook.com\/vasistastheatregroup\/\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/www.facebook.com\/vasistastheatregroup\/<\/a><\/p>\n<p><span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Argyro Chioti and VASISTAS theatre group<\/p>\n<p>Argyro was born in Athens. She works in Greece and France as stage director and actress. In 2005 she cofounded VASISTAS theatre group. She searches for scenic forms that look towards poetry, with intense chorality and physicality. Searching for dramaturgies that are not defined by a text-based logic or in a linear story-telling, she orchestrates \u00abmoving images\u00bb in detail, creating a rhythm for an experience, something like a music choreography in present time. The general thematic field of most of her creations is the human being and his leaving into a specific social frame. She graduated as an actress from drama school \u201cMorfes\u201d of theatre Embros (2000) in Athens. She has a master on stage directing and dramaturgy and a bachelors degree of theatrical studies in Provence University in France (2006). In 2013 she was awarded with \u201cEleftheria Sapoutzi\u201d award for her artistic work. VASISTAS theatre group received for <i>Spectacle<\/i> the honors distinction of National Association of Critics of theatre and music, (for innovating theatre play) (December 2011).<\/p>\n<p>Argyro Chioti is teaching acting and stage directing in many workshops and\/or drama schools (ERAC \u2013 Cannes\/Marseille, Kalamata International Summer School, Bios Athens, Provence University, Piraikos sindesmos, Akropoditi dance festival\u2026).<\/p>\n<p>Stage directions of Argyro Chioti:<\/p>\n<p>Eau de Cologne, by Efthimis Filippou, National Theatre in Greece, premiere on the 29<sup>th<\/sup> November 2019 (till 12 January 2020)<\/p>\n<p>The Libation Bearers, 2018<\/p>\n<p>(Athens &amp; Epidaurus Festival in co-production with Kavala\u2019s Municipality theatre)<br \/>\nPremiere in Epidaurus small theatre -6&amp;7 July<br \/>\nAncient theatre of Filippoi, 14 July 2018<br \/>\nRematia theatre\/Athens 10 September 2018<br \/>\nVrahon theatre Athens 17 September 2018<br \/>\nPetras theatre Athens 23 September 2018<br \/>\nLavrio, attiki, 28 September 2018<\/p>\n<p>The Divine Comedy, 2017 Onassis Cultrual Centre production (Athens) in co-production with Gymnase-Bernardines theatre (Marseille)<br \/>\nOnassis Cultural Cetre (April 2017)<br \/>\nDimitria Festival, Thessaloniki, (Sept.2017)<br \/>\nFestival Les Vagamondes \u2013 Mulhouse (Jan. 2018)<br \/>\nFestival Parall\u00e8le 08 Festival, Marseille (Feb. 2018)<\/p>\n<p>Apologies 4&amp;5, 2016 (Athens &amp; Epidaurus festival)<\/p>\n<p>Festival of Athens, (June 2016)<br \/>\nParallele -7 Festival, Bernardines th. Marseille (Jan 2017)<span class=\"Apple-converted-space\"><br \/>\n<\/span>Comedie de Reims, Reims, (Feb.2017)<br \/>\nTheatre de la Bastille, Paris (May 2017)<span class=\"Apple-converted-space\"><br \/>\n<\/span>SKG Bridges Festival, Museum of modern art, Thessaloniki (May 2018)<br \/>\nSt.Paul\u2019s Anglican Church, Sintagma, Athens (February 2019)<\/p>\n<p>BLOODS (Emata), 2014 (Onassis Cultural Centre production)<i> <\/i><\/p>\n<p>Onassis Cultural Centre (October 2014)<br \/>\nPatras municipal theatre (April 2015)<br \/>\nTheatre de la Ville, Paris (June 2015)<br \/>\nDimitria Festival, Thessaloniki (September 2015)<br \/>\nParallele -6 Festival, Jeu de Paume th., Aix en Provence (Jan. 2016)<br \/>\nComedie de Reims, France (February 2016)<\/p>\n<p>Domino, 2013 <i>\u2013on tour\u2013<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/p>\n<p>Premiere on the roof of the French institute in Greece (Sept.2013)<br \/>\nFirst version presented in MIRfestival, Athens (December 2012)<br \/>\nFestival Parallele 04, Theatre de la Jolliette, Marseille (Jan. 2014)<br \/>\nLatitudes Contemporaines, Lille (July 2014)<br \/>\nElaiourgeio, Eleusina (July 2014)<br \/>\nLe Phenix, Valenciennes (November 2014)<br \/>\nLa Villette, Paris (March 2015)<br \/>\nLes scenes du Jura, France (May 2015)<br \/>\nCulture O Centre, Abbay de Noirlac, France (Oct. 2015)<br \/>\nTheatre Roes, Res Ratio Network, Athens (Nov. 2015)<br \/>\nComedie de Reims, France (Feb.2016)<\/p>\n<p>Spectacle, 2011<\/p>\n<p>Premiere in Athens Festival 2011 in the National Museum of Contemporary Art Athens (EMST, June 2011)<br \/>\nIETM meeting in Greece, Romantso (November 2013)<br \/>\nBios, Athens (November 2011)<br \/>\nTheatre of Bernardines, Marseille (December 2011)<span class=\"Apple-converted-space\"><br \/>\n<\/span>R\u00e9sidence of cr\u00e9ation in <i>La Caldera<\/i>, Barcelona (May 2011)<br \/>\n<i>Vasistas received for \u201cSpectacle\u201d the honors distinction of National Association of Critics of theatre and music, (for innovating theatre play). (December 2011).<span class=\"Apple-converted-space\">\u00a0<\/span><\/i><\/p>\n<p>Phobia: a spectacle, 2010<\/p>\n<p>Co-production with the National Theatre of Athens.<br \/>\nCreation steps: Phobia: 1 in Berlin, Phobia: 2 in Santorini, Greece, Phobia: 3 in Marseille, in the space L\u2019 Eolienne and in collaboration with Les Bernardines Theatre.<br \/>\nContemporary Theatre of Athens (National Theatre), Athens, (May 2010)<\/p>\n<p>Silence, 2008-09<\/p>\n<p>104 Center of Art, Athens, (December 2008 and October 2009)<br \/>\nL\u2019Eolienne, Marseille (December 2008)<br \/>\nCroatia (Dubrovnic, Split, Zadar) (June 2009)<br \/>\nSantorini, Boutari\u2019s amphitheater, Greece (February 2010)<br \/>\nLes Bernardines Theater, Marseille (March 2010)<\/p>\n<p>Little Red Riding Hood-me and my wolf, 2007-08<\/p>\n<p>Bios, Athens (April 2008)<br \/>\nLe Point de Bascule, Marseille (June 2007)<br \/>\n\u2018Informelles\u2019 of \u2018Les Bernardines\u2019, Marseille (October 2007)<br \/>\n\u2018Amore Theatre\u2019, Athens (May 2007)<\/p>\n<p>Get over it (Faedras), 2006-07<\/p>\n<p>Theatre Comedia, Aubagne (January 2008)<br \/>\nLe point de bascule, Marseille (June 2007)<br \/>\nLa Distillerie, Aubagne (February 2006)<br \/>\nBios, Athens (June 2006)<br \/>\nLe Point de Bascule, Marseille (October 2006)<br \/>\nFestival \/\/01, Vitez Theatre, Aix en Provence (November 2006)<\/p>\n<p>Other collaborations:<\/p>\n<p>Faust by Goethe (for the National Theatre of Greece, experimental project of collective direction \u2013 Blitz, A.Xafis, V.Mavrogeorgiou, G.Gallos and Argyro Chioti) (2008-2009)<\/p>\n<p>Kassandra by Benedetto Marcello (cantata with the ensemble Latinitas Nostra \u2013 Markellos Chrysikopoulos) (2009)<\/p>\n<p>\u201cARPAGI\u201d Performance in situ: as part of the exhibition of Stefanos Tsivopoulos \u201cFuture starts here\u201d in Eleusina (June 2012)<\/p>\n<p>Faethon of Dimitris Dimitriadis | stage reading in the Onassis Cultural Center (October 2013)<\/p>\n<p>This! multimedia performance in collaboration with Via Negativa (Ljubljana, October 2013) Bios cultural center (Athens, 2014).<\/p>\n<p>Different Choises Petros \u2013 by Efhtimis Filippou (monologue with piano in Theatre Technis Karolos Koun, October 2016)<\/p>\n<p>Prometheus Desmotes \u2013 University production in la Friche la Belle de Mai, Marseille, with students of the theatre department of Provence University (April 2018)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Argyro Chioti VASISTAS theatre group \u201cNo man is an island entire of itself\u201d Five rooms | A wander May 22, 23, 24 online live streaming performance in the website of EMST, in the framework of the International Museum Day 2020 End of June at the National Museum of Contemporary Art Athens (EMST), as a live-art [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":77529,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"single-exhibition-post.php","format":"standard","meta":{"footnotes":""},"categories":[31,30],"tags":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/posts\/62747"}],"collection":[{"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/comments?post=62747"}],"version-history":[{"count":3,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/posts\/62747\/revisions"}],"predecessor-version":[{"id":78174,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/posts\/62747\/revisions\/78174"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/media\/77529"}],"wp:attachment":[{"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/media?parent=62747"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/categories?post=62747"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.emst.gr\/en\/wp-json\/wp\/v2\/tags?post=62747"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}